GENEVIEVE YUE

scholarly publications

Book

China Girls: Film, Feminism, and the Material Image (manuscript under consideration)

 

Academic Journal Articles (Peer-Reviewed)

“The Sight Specificity of Aerial Imaging,” special issue on “Site Specificity,” ASAP/Journal (accepted for publication, TBA 2017)

Nico Baumbach, Damon Young, and Genevieve Yue, “For a Political Critique of Culture” in “The Cultural Logic of Contemporary Capitalism: Jameson and After,” special issue of Social Text 34 no. 2, co-edited by Nico Baumbach, Damon R. Young, and Genevieve Yue (June 2016). Issue also includes: “Revisiting Postmodernism: An Interview with Fredric Jameson

China Girls on the Margins of Cinema,” October 153 (Summer 2015), pp. 96–116. PDF

Cinema Immemorial: “EMPIRE” and The Experimental Machinima of Phil Solomon,” Moving Image Review & Art Journal 3 no. 1 (Fall 2014), pp. 8–24. Republished and translated into Italian in Matteo Bittani, ed., MACHINIMA. DAL VIDEOGIOCO ALLA VIDEOARTE (Machinima. From Video Game to Video Art), Mimesis Edizioni, forthcoming 2017.  PDF

Two Sleeping Beauties,” Film Quarterly 65 no. 3 (Spring 2012), pp. 33–37. PDF

“Hair, Horror, and the Generic Image: Nakata Hideo’s Ringu,” Ecce 3 (Spring 2012), pp. 23­–56.

Lost At Sea: Intermedial Encounters in the Films of Janie Geiser,” Grey Room 36 (Summer 2009), pp. 114­–129. PDF

 

Academic Journal Articles (Non Peer-Reviewed)

“What Was Cinema,” La Furia Umana 8 (2015), pp. 64–69. PDF

Smoke Break: James Benning’s 20 Cigarettes, in Social TextPeriscope: “Work and Idleness in the Age of the Great Recession,” edited by Alex Wescott (2013).

 

Book Chapters and Contributions

“Medusan Optics,” in Leo Goldsmith, Robert Stam, and Richard Porton, eds. Keywords in Subversive Film/Media Aesthetics (Wiley, 2015), p. 85.